Meet the Team: Víctor Sánchez
“...having a camera gives me a way to be part of the world without being the centre of attention. It lets me quietly observe and connect.”
This month, we’re turning the lens on Víctor Sánchez, one of the team members behind Urban Photographers Club. Originally from Spain and now based in London, Víctor brings a thoughtful and quietly observant approach to both his photography and his role in the community. Víctor is the person behind our monthly newsletter and some of the featured content on the website, helping to give voice to the club’s community and keep things looking sharp and engaging.Víctor’s photography blends street, travel, and documentary styles, capturing everyday moments with warmth, curiosity, and an eye for detail. His images often highlight the quiet in-between scenes from the backstreets of Tokyo to Andalusian festivals, his portfolio takes you on a journey through places and people, always with a sense of story.
As part of our series of interviews to get to know the Urban Photographers Club team better, Víctor answered some questions about her photography, process and inspiration.
© Víctor Sánchez
How did you get into street photography?
VS: I got into street photography by accident, really. I’ve always liked watching people and noticing little moments that others might walk past. I started taking my camera out on walks, and slowly I found myself drawn to day-to-day life: odd signs, funny expressions, or just how light falls on a wall. Around the same time, I started looking at books by photographers like Elliott Erwitt, and I loved how he captured humour and humanity in such a simple way. That really inspired me to keep going and look for my own little moments.
How would you describe your style of street photography?
VS: I’d say my style is quite relaxed and playful. I’m drawn to scenes that tell a story or make you smile; and I prefer simple compositions over complex layering. If something makes me pause, laugh, or just feels a bit odd, I usually take the shot. I like finding little moments of humour or curiosity , without overcomplicating things.
Victor’s favourite photo, taken during the Feria de Abril in Seville, Spain.
© Víctor Sánchez
Do you have a favourite photo you’ve taken? What’s the story behind it?
VS: This is one of my recent favourites. I took it at the Feria de Abril in Seville, a festival full of life, tradition, and bright colours. What drew me in was the scene itself: a sea of red chairs, red floral decorations, and then this one man sitting alone, wearing a suit and red sunglasses, completely relaxed in the middle of it all.
There’s something theatrical about it, but also very real. I love the simplicity… no chaos, no movement, just a calm, balanced moment that felt almost like it was waiting to be photographed. I took a lot of photos during the same afternoon of Feria, but this one draws me in every time.
What’s your favourite gear or lens to shoot with?
VS: I love my Fujifilm X-T30 II… small, light and fun to use. Most of the time, I pair it with the 18mm f/2 lens, which is about a 27mm equivalent on full frame. It’s wide enough to catch the action, but still feels natural. The setup doesn’t scream photographer, so I can blend in a bit more. Plus, it fits in my bag without weighing me down, which is always a bonus!
© Víctor Sánchez
Who or what inspires your photography?
VS: I’ve been drawn to photography since I was little… I loved the idea of capturing moments and keeping them forever. I used to take photos at family events, just trying to hold on to memories. I can be an introverted at times, and having a camera gives me a way to be part of the world without being the centre of attention. It lets me quietly observe and connect.
In the well-known photographer’s department, I really admire photographers like Elliott Erwitt for his humour and simplicity, and Martin Parr for how he finds the quirky side of life.
I also love exploring new places with my camera, whether it’s a different part of London or a city I’ve never been to. There’s something exciting about not knowing what you’ll find.
If your street photography had a soundtrack, what songs would be playing?
VS: I don’t usually listen to music while I shoot… I like to stay alert so I don’t miss anything happening around me. But when I do, it’s something that gives me a bit of a positive, cinematic feel (like I’m in my own little film). Songs like Brimful of Asha by Cornershop which is upbeat and full of energy. Or Common People by Pulp would definitely also be on the list with that mix of observation, irony and real life fits perfectly with how I see street photography.
© Víctor Sánchez
What’s the most unexpected or interesting thing that’s happened while you were out shooting?
VS: Living in London, you end up crossing paths with all sorts of people. One day, I took a photo of someone with their dog who just happened to walk into a nice bit of light. I had no idea who they were, but they clocked me taking the shot and came over straight away. They asked to see the photo, and absolutely loved it. A few minutes later, they were trying to talk me into doing a full photoshoot saying it would be “great exposure” for me… they were one of these influencers. I smiled and declined.
I’ve been lucky though I’ve never had a confrontation while shooting. Most people are either amused or too busy to notice. A bit of respect and a friendly face tends to go a long way. Plus, I always look like I’m lost, which probably helps me blend in.
What’s your favourite city or location to shoot in, and why?
VS: I’m very fond of London. It’s been my home now for a while, and it never runs out of surprises. There’s always something going on, and the mix of people and randomness keeps me inspired.
But I really love exploring new places with my camera. Being somewhere unfamiliar sharpens my eye and everything feels fresh, and I notice more. Tokyo was incredible… the light, the energy, the little quiet corners. And New York has that buzz where anything can happen on the street. Both are amazing for street photography.
That said, wherever I go, I just enjoy walking, observing, and seeing what turns up. It’s less about the place and more about the moments.
© Víctor Sánchez
What’s one piece of advice you’d give to someone starting in street photography?
VS: Just get out there and start shooting. Don’t worry about having the perfect gear or nailing the right settings… focus on what catches your eye. The more you shoot, the more you’ll start to see the world differently.
And also, your style doesn’t need to blend in with everyone else’s, and that’s a good thing! Street photography is personal, and how you see things is what makes your work interesting.
If you could spend a day shooting with any photographer (past or present), who would it be and why?
VS: As much as I admire photographers like Elliott Erwitt, I’d choose my grandfather. He wasn’t a professional photographer, but he loved taking photos. He always had a camera with him at family events or on days out. I never got the chance to take photos with him as an adult, and I think spending a day out shooting together would’ve been really special and fun. I’d love to show him how I see the world now and learn how he saw it too. It would’ve been a day full of laughs as he had a wicked sense of humour, and unlike his grandchild, he was an extrovert who would talk to anyone!
